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Romeos aftermath review
Romeos aftermath review











romeos aftermath review

This is a shortcoming - the academic invention and episodic pace occasionally feels as implosive and truncated as Baz Luhrmann’s 1996 film version. Opening night for a splendiferous, over-the-top, no-holding-back, production of Shakespeares wonderful story of the star-crossed lovers who, by virtue of some. True, copious cuts give Salazar’s Paris, Francisco Garcia’s livewire Tybalt and Barbara Roberts’ somber Montague less weight than their proficiency merits. Luis Galindo bears chilling ire beneath Lord Capulet’s bonhomie Geoffrey Lower’s crunchy-granola Friar Laurence might be a KPFK correspondent. If the story would have played out in our present time. Christopher Salazar exhibits similar range, whether resonant Prince, office-geek Paris or spontaneous Mercutio, his Queen Mab speech seemingly born on the spot. I guess back in the day the rest of your life was a significantly shorter period than today, but still. Nic Few’s introspective Romeo and Xochitl Romero’s impetuous Juliet suggest eloquent fugitives from ‘My So-Called Life.’ Though their technical sophistication isn’t exactly teen-like, both deliver the goods, with a hilarious balcony scene and affecting emotional choices as calamities multiply.Ĭaro Zeller imbues gender-switched Benvolia with tomboy fervor, émigré-accented Lady Capulet with understated dignity.

romeos aftermath review romeos aftermath review

Danaes Triangle, Paphos Cyprus +357 26 934750 Website. Anthony’s rethought characters and conversational approach largely carries her subtext - individual actions can have communal consequences - to fruition. 448 reviews 90 of 487 Restaurants in Paphos - International Mediterranean European.













Romeos aftermath review